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ÆONICA MUSIC

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Converter Shoot-outs

Can you really hear the difference between high-end converters?

These blind listening tests compare professional AD/DA converters using real mastered music across multiple genres.

All files are precisely level-matched and anonymized — no logos, no pricing, no brand influence. Just your ears and the music.

Some converters aim for absolute transparency. Others add subtle depth, warmth, punch, or character. Sometimes the differences are obvious. Sometimes they’re surprisingly small.

For less than the price of a cup of coffee, you get access to carefully prepared high-resolution comparisons that would normally require access to an expensive professional studio environment.

🎧 Stream preview clips directly on the page, or download the full-resolution WAV files and reveal key for deeper blind comparison in your own listening environment.

Newest comparisons appear first.

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2026 Converter & Sample Rate Challenge by Aeonica Music

2026 Converter & Sample Rate Challenge

Aeonica Music

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2026 Converter & Sample Rate Challenge
by Aeonica Music

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This blind listening pack compares the Universal Audio Apollo X8, Burl Audio B2, and Crane Song converters across multiple sample rates using real mastered music. For less than the price of a coffee, you get rare access Read more

This blind listening pack compares the Universal Audio Apollo X8, Burl Audio B2, and Crane Song converters across multiple sample rates using real mastered music. For less than the price of a coffee, you get rare access to carefully level-matched high-end converter comparisons prepared for serious listening.

All files are level-matched, coded, and anonymized to reduce expectation bias. No logos. No branding. Just your ears and the music.

Included are two full tracks — one downtempo electronic and one rock production — processed through multiple DAC → ADC paths at 44.1, 48, 88.2, and 96 kHz.

Some differences may feel obvious. Others may be surprisingly subtle. The goal is not to declare a universal winner, but to give you rare access to carefully prepared high-end converter comparisons that would normally require an expensive studio environment to experience firsthand.

After listening blind, you can consult the included key file revealing the converter paths, clocking, and processing sample rates used for each version.

Also included:

Full-resolution WAV files

Blind test reveal key (Excel)

Technical methodology PDF

Dedicated sample-rate challenge files

Native-rate and matched-rate comparisons

Every comparison involved extensive routing, clocking, verification, and level-matching work to ensure meaningful results while preserving the integrity of the original material. Differences, if any, may be subtle and system-dependent. Interpretation is left entirely to the listener.

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  1. 1
    1. Shadows (44.1K) ONE 1:04
    1. Shadows (44.1K) ONE
    by Aeonica Music

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  2. 2
    2. Shadows (44.1K) TWO 1:04
    2. Shadows (44.1K) TWO
    by Aeonica Music

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  3. 3
    3. Shadows (44.1K) THREE 1:04
    3. Shadows (44.1K) THREE
    by Aeonica Music

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  4. 4
    4. Shadows (48k) FOUR 1:04
    4. Shadows (48k) FOUR
    by Aeonica Music

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  5. 5
    5. Shadows (48k) FIVE 1:04
    5. Shadows (48k) FIVE
    by Aeonica Music

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  6. 6
    6. Shadows (48k) SIX 1:04
    6. Shadows (48k) SIX
    by Aeonica Music

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  7. 7
    7. Shadows (88.2K) SEVEN 1:04
    7. Shadows (88.2K) SEVEN
    by Aeonica Music

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  8. 8
    8. Shadows (88.2K) EIGHT 1:04
    8. Shadows (88.2K) EIGHT
    by Aeonica Music

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  9. 9
    9. Shadows (88.2K) NINE 1:04
    9. Shadows (88.2K) NINE
    by Aeonica Music

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  10. 10
    10. Shadows (88.2K) TEN 1:04
    10. Shadows (88.2K) TEN
    by Aeonica Music

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  11. 11
    11. Shadows (88.2K) ELEVEN 1:04
    11. Shadows (88.2K) ELEVEN
    by Aeonica Music

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  12. 12
    12. Shadows (88.2K) TWELVE 1:04
    12. Shadows (88.2K) TWELVE
    by Aeonica Music

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  13. 13
    13. Lost Souls (44.1K) THIRTEEN 1:11
    13. Lost Souls (44.1K) THIRTEEN
    by Aeonica Music

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  14. 14
    14. Lost Souls (44.1K) FOURTEEN 1:11
    14. Lost Souls (44.1K) FOURTEEN
    by Aeonica Music

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  15. 15
    15. Lost Souls (44.1K) FIFTEEN 1:11
    15. Lost Souls (44.1K) FIFTEEN
    by Aeonica Music

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  16. 16
    16. Lost Souls (48K) SIXTEEN 1:11
    16. Lost Souls (48K) SIXTEEN
    by Aeonica Music

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  17. 17
    17. Lost Souls (48K) SEVENTEEN 1:12
    17. Lost Souls (48K) SEVENTEEN
    by Aeonica Music

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  18. 18
    18. Lost Souls (48K) EIGHTEEN 1:11
    18. Lost Souls (48K) EIGHTEEN
    by Aeonica Music

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  19. 19
    19. Lost Souls (88.2K) NINETEEN 1:11
    19. Lost Souls (88.2K) NINETEEN
    by Aeonica Music

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  20. 20
    20. Lost Souls (88.2K) TWENTY 1:11
    20. Lost Souls (88.2K) TWENTY
    by Aeonica Music

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2024 Blind Converter Shootout

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2024 Blind Converter Shooutout by Aeonica Music

2024 Blind Converter Shooutout

Aeonica Music

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2024 Blind Converter Shooutout
by Aeonica Music

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For less than the price of a cup of coffee, explore carefully prepared blind comparisons of high-end converter paths using one mastered downtempo electronic track and one mastered rock ballad. All files are coded and Read more

For less than the price of a cup of coffee, explore carefully prepared blind comparisons of high-end converter paths using one mastered downtempo electronic track and one mastered rock ballad.

All files are coded and presented in random order with no branding or identifying information, allowing you to listen without expectation bias — just your ears and the music.

🎧 Download the full-resolution WAV files and reveal key for deeper blind comparison in your own listening environment.

No additional processing was applied between the DAC and ADC stages, and levels were intentionally kept conservative to ensure accurate level matching and transparent operation across all converters.

This comparison is part of an ongoing series of listening experiments from Aeonica Music.

Differences, if any, may be subtle and system-dependent. Interpretation is left entirely to the listener.

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  1. 1
    1. Sarvatva ONE 3:15
    1. Sarvatva ONE
    by Servellen

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  2. 2
    2. Sarvatva TWO 3:15
    2. Sarvatva TWO
    by Servellen

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  3. 3
    3. Sarvatva THREE 3:15
    3. Sarvatva THREE
    by Servellen

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  4. 4
    4. Just Beginning FOUR 2:51
    4. Just Beginning FOUR
    by Servellen

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  5. 5
    5. Just Beginning FIVE 2:51
    5. Just Beginning FIVE
    by Servellen

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  6. 6
    6. Just Beginning SIX 2:51
    6. Just Beginning SIX
    by Servellen

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Converter shootout 3

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Converter (DAC & ADC) shoot out III by Aeonica Music

Converter (DAC & ADC) shoot out III

Aeonica Music

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Converter (DAC & ADC) shoot out III
by Aeonica Music

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In this shootout we compare 3 pairs of converters using different styles of music each applied in live Mastering Projects. 24bit files can be streamed and/or downloaded for a small fee here. UA Apollo x8 (DAC) - UA Apollo Read more

In this shootout we compare 3 pairs of converters using different styles of music each applied in live Mastering Projects. 24bit files can be streamed and/or downloaded for a small fee here.

  1. UA Apollo x8 (DAC) - UA Apollo x8 (ADC),
  2. Crane Song Solaris (DAC) - Burl B2 Bomber (ADC),
  3. Crane Song Solaris (DAC) - Crane Song Interstellar (ADC),

The mastering chains used are from live projects of my own, using combination of software and outboard analog gear. I have left all settings equal switching out only the converters. I normalised the levels as far as possible (there may still be small differences). These mixes and "masters" are imperfect but represent the type of material I'm working with. So don't expect perfection.

Can you hear a difference? Which did you like most?

*This is NOT a blind comparison. Files are labelled. This was met with some criticism online for the bias it creates in evaluating small differences. I have now also setup a blind shoot-outs with unlabelled files.

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  1. 1
    WAKE UP (TECHNO CLIP) APOLLOx (DAC) - APOLLOx (ADC) 1:34
    WAKE UP (TECHNO CLIP) APOLLOx (DAC) - APOLLOx (ADC)
    by Servellen

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  2. 2
    WAKE UP (TECHNO CLIP) SOLARIS (DAC) - BURL B2 (ADC) 1:34
    WAKE UP (TECHNO CLIP) SOLARIS (DAC) - BURL B2 (ADC)
    by Servellen

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  3. 3
    WAKE UP (TECHNO CLIP) SOLARIS (DAC) - INTERSTELLAR (ADC) 1:34
    WAKE UP (TECHNO CLIP) SOLARIS (DAC) - INTERSTELLAR (ADC)
    by Servellen

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  4. 4
    SARVATVA (DOWNTEMPO CLIP) APOLLOx (DAC) - APOLLOx (ADC) 1:23
    SARVATVA (DOWNTEMPO CLIP) APOLLOx (DAC) - APOLLOx (ADC)
    by Servellen

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  5. 5
    SARVATVA (DOWNTEMPO CLIP) SOLARIS (DAC) - BURL B2 (ADC) 1:24
    SARVATVA (DOWNTEMPO CLIP) SOLARIS (DAC) - BURL B2 (ADC)
    by Servellen

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  6. 6
    SARVATVA (DOWNTEMPO CLIP) SOLARIS (DAC)- INTERSTELLAR (ADC) 1:24
    SARVATVA (DOWNTEMPO CLIP) SOLARIS (DAC)- INTERSTELLAR (ADC)
    by Servellen

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  7. 7
    JUST BEGINNING (ROCK CLIP) APOLLOx (DAC) - APOLLOx (ADC) 2:36
    JUST BEGINNING (ROCK CLIP) APOLLOx (DAC) - APOLLOx (ADC)
    by Servellen

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  8. 8
    JUST BEGINNING (ROCK CLIP) SOLARIS (DAC) - BURL B2 (ADC) 2:36
    JUST BEGINNING (ROCK CLIP) SOLARIS (DAC) - BURL B2 (ADC)
    by Servellen

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  9. 9
    JUST BEGINNING (ROCK CLIP) SOLARIS (DAC) - INTERSTELLAR (ADC) 2:36
    JUST BEGINNING (ROCK CLIP) SOLARIS (DAC) - INTERSTELLAR (ADC)
    by Servellen

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Converter shootout 2

ADC Shootout

Aeonica Music

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ADC Shootout
by Aeonica Music

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This 2nd shootout focusses on comparing Analog to Digital Conversation (ADC). All files use the Crane Song Solaris for Digital to Analog Conversion (DAC), so any difference in sound is the ADC only. All files also use the Read more

This 2nd shootout focusses on comparing Analog to Digital Conversation (ADC). All files use the Crane Song Solaris for Digital to Analog Conversion (DAC), so any difference in sound is the ADC only.

All files also use the clock that comes from the Crane Song Interstellar. Again so any difference in sound is ADC only. The files are all prints from live mastering chain including nice outboard, hence the DAC needed to convert to Analog to send to my analog gear, and then ADC to get it back into the box.

You can stream and/or download the files below. Please note that while having done my best to produce files of equal loudness, there may be small differences in level. Don't mistake louder for better. You can download the files if you want to fiddle with levels etc.

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  1. 1
    INNOCENCE (TECHNO CLIP) - SOLARIS (DAC) - APOLLO 8X (ADC) 2:54
    INNOCENCE (TECHNO CLIP) - SOLARIS (DAC) - APOLLO 8X (ADC)
    by Servellen

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  2. 2
    INNOCENCE (TECHNO CLIP) - SOLARIS (DAC) - BURL B2 (ADC) 2:54
    INNOCENCE (TECHNO CLIP) - SOLARIS (DAC) - BURL B2 (ADC)
    by Servellen

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  3. 3
    INNOCENCE (TECHNO CLIP) - SOLARIS (DAC) - INTERSTELLAR (ADC) 2:54
    INNOCENCE (TECHNO CLIP) - SOLARIS (DAC) - INTERSTELLAR (ADC)
    by Servellen

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  4. 4
    JUST BEGINNING (ROCK CLIP) - SOLARIS (DAC) - APOLLO 8x (ADC) 2:40
    JUST BEGINNING (ROCK CLIP) - SOLARIS (DAC) - APOLLO 8x (ADC)
    by Servellen

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  5. 5
    JUST BEGINNING (ROCK CLIP) - SOLARIS (DAC) - BURL B2 (ADC) 2:39
    JUST BEGINNING (ROCK CLIP) - SOLARIS (DAC) - BURL B2 (ADC)
    by Servellen

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  6. 6
    JUST BEGINNING (ROCK CLIP) - SOLARIS (DAC) - INTERSTELLAR (ADC) 2:40
    JUST BEGINNING (ROCK CLIP) - SOLARIS (DAC) - INTERSTELLAR (ADC)
    by Servellen

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Converter shoot-out (part 1)

apollo x  |  crane song solaris dac  |  burl b2 bomber adc Mk1 

This was oir first converter shootout. Since doing this we refined the methodology around comparisons, in the more recent shootouts (higher up on this page).


This particular mastering project was done in UA LUNA where I send the signal via DAC to my analog hardware signal chain and then back into LUNA via ADC. I tried several combinations of DAC, ADC and clock source. Where I was not perfect is maintinng equal levels.

Many thanks to my client, Erik Heirman at RapidFlow for collaboration in producing this shootout and comparison. 
 

You can stream and/or download the 24 bit files below the video. 

24BIT files Converter Shoot-out

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  1. 1
    APOLLOx DAC - APOLLOx ADC (APOLLO CLOCK) 2:20
    APOLLOx DAC - APOLLOx ADC (APOLLO CLOCK)
    by Erik Heirman feat Cuerpos Cósmicos

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  2. 2
    CRANE SONG SOLARIS DAC - APOLLOx ADC (APOLLO CLOCK) 2:20
    CRANE SONG SOLARIS DAC - APOLLOx ADC (APOLLO CLOCK)
    by Erik Heirman feat Cuerpos Cósmicos

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  3. 3
    CRANE SONG SOLARIS DAC - APOLLOx ADC (BURL B2 CLOCK) 2:20
    CRANE SONG SOLARIS DAC - APOLLOx ADC (BURL B2 CLOCK)
    by Erik Heirman feat Cuerpos Cósmicos

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  4. 4
    APOLLOx DAC - BURL B2 ADC (BURL B2 CLOCK) 2:20
    APOLLOx DAC - BURL B2 ADC (BURL B2 CLOCK)
    by Erik Heirman feat Cuerpos Cósmicos

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  5. 5
    CRANE SONG SOLARIS DAC - BURL B2 ADC (BURL B2 CLOCK) 2:20
    CRANE SONG SOLARIS DAC - BURL B2 ADC (BURL B2 CLOCK)
    by Erik Heirman feat Cuerpos Cósmicos

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    0:00/2:20

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